Dan Heching's Review Space

People can’t seem to stop remaking CARRIE

by on May.16, 2012, under Film

As published on Sundance Channel’s SUNfiltered

by Dan Heching, May 16, 2012

“They’re all gonna laugh at…who?

There are some truly horrid things out there that just won’t die. One is the soon-to-be-remade (again!) CARRIE, Stephen King’s exceptionally underrated debut novel (if this were required reading in every American high school, there would probably be no ‘bullying crisis’) and the brilliant 1976 Brian de Palma screen adaptation with Sissy Spacek, masseur-loving John Travolta and Piper Laurie. Laurie, it’s worth noting, made the honorable mentions in our Top 10 Mothers In Legendary Films list for Mother’s Day—and come to think of it, she deserved her own maniacal place in the list itself for this Oscar-nominated role.

To read more on the casting for the new CARRIE, read on at SUNfiltered!

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When Will Women Have Their Day in Hollywood?

by on May.16, 2012, under Culture, Film

As published on wetpaint.com

When Will Women Have Their Day in Hollywood?

First, we discovered that Hollywood’s top actresses still make far less than their male counterparts. Now, it seems that even though 2011 was, statistically speaking, a good year for women in the movies, they still only represented one third of all the major characters in last year’s highest-grossing films, as a new study brought to light by The Wrap reveals. What gives?!

Thanks to the Kristen Stewart powerhouse that is the Twilight franchise and films like box office darling The Help, 2011, had more females playing principal roles in the top 100 films in the domestic box office. But as usual, most of those women were 40 and under, and playing relatively powerless roles (note how Bella basically spends all of Twilight being lovestruck or pregnant, and the ladies of The Help are…the help).

And the trend continues: even the mega-buster Avengers, currently dominating box offices across the universe, features only two female characters — ScarJo and Cobie Smulders — and neither of them can claim full superhero status. Granted, that is mainly due to the adolescent-boy-tendencies of the comic book world, but seriously — where, oh, where are our generation’s kickass females, like Ellen Ripley (Sigourney Weaver in the Alien movies) and Sarah Connor (Linda Hamilton in the Terminator movies)?

Hopefully, things will change, at least slightly, with a badass Jennifer Lawrence in The Hunger Games set to carry on with at least two sequels and KStew wreaking havoc as a heavily armored Snow White in the upcoming Snow White and the Huntsman, not to mention a red-eyed (but still perfectly put together and well-manicured) vampire in the upcoming Twi-finale, Breaking Dawn Part 2.

Source: The Wrap

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Top 10 dictator movies

by on May.16, 2012, under Culture, Film, Review

Top 10 dictator movies!

Sacha Baron Cohen, aka the Baron of Questionable Taste, is releasing his third opus in far-flung tomfoolery this week. THE DICTATOR follows the USA-bound travels of a heavily-bearded, thoroughly misogynistic tyrant modeled after… take your pick. You most probably have heard about this by now – what with Cohen’s shenanigans at the Oscars and a trailer featuring Megan Fox in bed, it’s hard not to be aware of him even if you’d really, really like to be. The question, however, is this: is THE DICTATOR coming to us a few years too late? Remember – the downfall of both Hussein and Gaddafi are history, especially when we have things like [insert name of favorite reality TV show here] to care about. Or, is this movie going to be just plain awesome?

Dictators have always made great movie fodder: they tend not to go quietly into the night. So, whether or not SBC’s take on tyranny is your cup of peasant blood, there is sure to be a dictator movie out there for you. Here are ten of our favorites:

10. THE LAST EMPEROR

Bertolucci’s portrait of a monarch “dictator” – whose power is absolute but confined to a very elaborate prison – starts in early childhood. The first third of this film is pure magic, and the rest ain’t too bad either. The 1987 Oscars sweeper features still today one of the most evocative and breathtaking film scores, not to mention stunning photography.


Photo credit: IMDB

9. BANANAS

This is what we mean when we say, “They don’t make ‘em like they used to.” Woody Allen’s hallmark of sheer irreverence introduces us to Fielding Mellish, a nebbish New Yorker (one of the first of many by Mr. Allen) who ends up becoming the leader of an unstable South American country to impress a girl (the lovely Louise Lasser, of REQUIEM FOR A DREAM and HAPPINESS fame). The film, which was mostly improvised, still stands the test of time as a truly hilarious romp, ranking as number 69 on AFI’s list of 100 Years, 100 Laughs.

8. DOWNFALL

This 2004 German film going into Hitler’s bunker at the close of World War II was well received, and WINGS OF DESIRE’s Bruno Ganz was lauded for his portrayal of Adolf. No one expected, however, that the pivotal scene in which he realizes the war is lost would become such rich source material for countless Youtube spoofs. As Hitler rages at his generals, bored people across the internet have changed the subtitles of his German tirade to reflect fury at any number of injustices, from the large (the housing bubble crisis of 2008) to the very small (Dobby’s death in the end of HARRY POTTER AND THE DEATHLY HALLOWS, PART I).

7. MAX

Speaking of Hitler – Raise your hand if you’ve ever felt creatively frustrated. Now, raise your hand if you’re…arguably the most reviled dictator of all time? The recounting of a frustrated young artist named Adolf Hitler, and the Jewish art dealer that attempts to steer him in the right direction (i.e., not towards world domination and widespread genocide), Max was a passion project for recent Hollywood Walk of Fame star recipient John Cusack, who took no salary for his portrayal of Max Rothman.

For more dictatorial goodness, check out the rest of the list on Sundance Channel’s SUNfiltered!


Photo credit: Plymouth.ac.uk

Author: Dan Heching

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Top 10 MILFs!

by on May.10, 2012, under Culture, Film, Review

As published on Sundance Channel’s SUNfiltered, Thursday May 10th 2012

They mostly come at night…mostlyRipley and Newt in Aliens

Top 10 MILFs (Moms In Legendary Films)

Mother’s Day might be upon us, but no, we are not going the cheap route and talking about the MILFs you’re used to (although we do love Jennifer Coolidge in everything she does; even American Pie). This list is dedicated to a far more select—and somewhat more matronly—group, namely Moms In Legendary Films. With motherhood in unprecedented states of shameful disrepair (Octomom doing porn, anyone?), it’s high time we shake off our current malaise, get out our old blankie (or teddybear, or Pound Puppy) and get ready to cry on Mommy’s shoulder with these treats. Because the women here are pure maternal power, offering a cinematic Womb for the Soul.

10. Bree Osbourne – TRANSAMERICA

Photo credit: MoviesPad

As Bree Osbourne, Felicity Huffman took on a whole lot in this acclaimed role: a road-tripping male-to-female transsexual who unwittingly discovers along the way that she has a child. From oblivious father to an ultimately caring mother, Huffman handled an extraordinary double gender reversal with aplomb, teaching us a little something about parenting at the same time—uteruses (uteri?) and vaginas aside, real mothering is all about the heart.

9. Abileen Clark – THE HELP

Photo credit: Collider

Viola Davis and company also do a wonderful job reminding us that the one you call mommy doesn’t always end up being she who birthed you. As a devoted maid in 1960s Mississippi, Davis cares for her inept white boss’s child as her own (and she has those back home, too). When she is unjustly fired from her job later in the film, her heartbreak over losing the baby girl who has become her de facto daughter is palpable. 
It’s worth noting another mother nailed by Viola, in 2008′s DOUBT. In just one scene she steals the entire film, as the mother of a 1960s choirboy who is prepared to accept the possibility of something unspeakable in order to keep her son in a place where he won’t succumb to the racism and classism she knows all too well. A mother’s love may not always be logical, but boy, it can be fierce.

8. Kate McCallister – HOME ALONE

Photo credit: MovieMango

This family fun-for-all gains double-whammy status as both a great Christmas treat and Mother’s Day movie, since the storyline pretty much boils down to this: a harried mother must wend her way through various shenanigans (as only the late John Hughes, who actually wrote this film, can concoct) to redeem the love of her abandoned son. The always-brilliant Catherine O’Hara—who gave us one of the wackiest mothers of all time in BEETLEJUICE—expertly captures a defining moment on the plane toward the beginning of the film, when she finally realizes they forgot Kevin at home. She betrays an eternal truth: even parents can screw up, and royally.

For the rest of these MILFs, check out the list on SUNfiltered’s Top 10s!

Happy Mother’s Day!

—DH

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The Best Exotic Marigold Hotel

by on May.10, 2012, under Film, Gay, Review

Judi Dench and Maggie Smith in the same film? ’Nuff said.

Oh, India…Judi Dench and Celia Imrie in Marigold Hotel

The Best Exotic Marigold Hotel

Time Investment: 122 min.
Return on Investment: 100 min.

When it comes to your favorite elderly British actresses, most gays fall into two camps: Team Judi and Team Maggie. So what more could we ask for when these two Dames, Judi Dench and Maggie Smith to be exact, appear in the same bloody film? Not a whole lot! The Best Exotic Marigold Hotel is a cheeky and small film planting several over-the-hill Englishmen and women at a lavish-seeming but rather decrepit and run-down hotel in India, all looking for the next chapter in their lives.

Recently, everyone on Team Maggie has had a lot to hem and haw about, since Dame Smith has been cutting everyone down so delightfully on the much-loved series Downton Abbey. But let us never forget the wonderfully dynamic actress that is Judi Dench, able to embody stately queen (her Oscar-winning turn as Elisabeth I in Shakespeare in Love), on-point government whiz (M in the Bond films), and, arguably her best work, as the lonely and seriously creepy old lesbian in Notes on a Scandal. Here, Dench turns in another magnificent performance, becoming young before our eyes as a recently widowed woman tasting independence for the first time. The filmmakers took a gamble here by casting someone ‘so old’ as the romantic lead, but it’s a gamble that pays off.

Pulling their weight on the men’s side are two more actors who rarely disappoint, namely Bill Nighy (also brilliant in Notes) and Tom Wilkinson. Wilkinson creates a nostalgic and emotional story around a man who is coming back to India after a lifetime of denial, in search of the man he’s always loved. Marigold definitely doesn’t reinvent the wheel, but it never sets out to do more than marvel at a unique and lush locale, and how perspectives can change when people truly open themselves up to their surroundings.

—DH

May 09, 2012
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Tribeca Film Festival 2012 Wrap-Up: Winners, Losers and More

by on May.02, 2012, under Culture, Film, Gay, New York, Review

Joss Whedon’s fanboy wet dream The Avengers closed a Tribeca Film Festival that had a fair share of highlights.

Lucy Mulloy, director of Una Noche, and actor Dariel Arrechada

Tribeca Film Festival 2012 Wrap-Up: Winners, Losers and…The Avengers?

The 11th Annual Tribeca Film Fest closed up shop last weekend with a very high-profile (and still sort of random) closing night showing of The Avengers. Action-hunks Robert Downey, Jr., Chris Hemsworth and Tom Hiddleston were in attendance, along with “everyday heroes from police agencies, fire departments, first responders, and various branches of the U.S. military…whose presence will honor the founding spirit of the Tribeca Film Festival.” Seems Tribeca will still do just about anything for some attention.

In terms of awards, the film on everyone’s shortlist was Una Noche, a film that takes place over one sweltering day in Havana and features two sweaty untrained actors as Raul and Elio, boys who dream of fleeing Cuba for the “paradise” of Miami, Florida. The pair, Dariel Arrechada and Javier Nuñez Florian, split the festival’s Best Actor honors, which were presented by the ever so lovely Patricia Clarkson. Una Noche also won for Best Director as well as Best Cinematography.

Other notable mentions included Stitches, an Israeli short film featuring a lesbian couple who decide to have a baby, which was presented the Student Visionary Award by Susan Sarandon. And lastly, the Audience Award for Best Narrative went to Any Day Now, which I didn’t love so much—apparently festival audiences didn’t mind Alan Cumming’s extremely showy song and dance. But it’s A-OK in my book, since the film does deal with a very important issue in a heartfelt (and heartbreaking) manner.

Notably absent from the awards was Keep the Lights On, Ira Sachs’ vivid and intense love story nominated for the Grand Jury Prize at Sundance. A recap of the films I reviewed below:

Hysteria has fun showing period London’s brittle conventions as they crack and fall apart, but it is by no means hysterical. Click here for full review>>>

Although simplistic, Any Day Now does pack a powerful, timely and ultimately heartbreaking message. Click here for full review>>>

Keep the Light On is a vividly intense dual character study, like Brokeback Mountain with an extra dose of contemporary reality. Click here for full review>>>

Yossi could be regarded as an interesting portrait of an emerging gay man who doesn’t feel good about his body, but ultimately the film is hobbled by an incredibly loose, weak ending. Click here for full review>>>

Jack & Diane does revel in the simple joy of watching two young lesbians in love eating sushi with ketchup…If only the rest of the film weren’t so wishy-washy. Click here for full review>>>

May 01, 2012
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Tribeca Film Festival: Hysteria

by on May.01, 2012, under Film, Review

Hugh Dancy is saddled with the dreadful job of fingering half the women in 1880s London, leading to the birth of the first vibrator.

Tribeca Film Festival: Hysteria

Time Investment: 95 min.

Return Investment: 69 min.

Hugh Dancy can simply do no wrong. After turning heads in 2009’s Adam and more recently on The Big C as gay melanoma sufferer Lee, Dancy (aka Mr. Claire Danes) has quickly risen to the top of the pack of sexy British imports. Here he returns to his proper roots, as it were, portraying a forward-thinking doctor who finds employment with a befuddled doctor (Jonathan Pryce) catering to women suffering from “hysteria”, a hazy term alluding to a far greater societal ailment of the time: the general inability to acknowledge women’s sexual vitality in the slightest. He becomes acquainted with his boss’s polar opposite daughters—the prim Emily (Felicity Jones from the brilliant Like Crazy) and brash Charlotte (Maggie Gyllenhaal)—no relation to the Brontë sisters intended.

And this is where Hysteria runs ever so slightly aground. Through no fault of Ms. Gyllenhaal’s, the script paints Charlotte a bit one-dimensionally, as a whirlwind precursor to suffragists whose every second word has to do with women’s rights or society’s ills. The writers here forget that nobody is ever that explicitly ahead-of-their-time, and as a consequence, the unlikely but obvious love story between the leads (not for lack of chemistry between Dancy and Gyllenhaal, two very game actors) never has time to develop correctly.

On the flipside, the film has a jovial supporting cast, with Bridget Jones’ mum Gemma Jones and notably our very own Rupert Everett (who’s been gone for awhile <<cough, nip, tuck, cough>> and lets just say it’s better when he’s in the parlor where it’s dim), as a gadget-loving mad scientist of sorts who becomes instrumental in the vibrator’s, ahem, conception. His exceptionally hilarious banter, especially when yapping on the latest invention known as the telephone, could be likened to John Cleese.

Hysteria has fun showing period London’s brittle conventions as they crack and fall apart, and the film is based (in part) in the truth, but it is by no means hysterical. That word is reserved for the critically acclaimed play on the same subject, In the Next Room, or the Vibrator Play.

Visit TribecaFilmFestival.com for more info.
DH
April 30, 2012
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Tribeca Film Festival: Yossi

by on Apr.30, 2012, under Film, Gay, Review

Here it is, ladies and gentlemen, the sequel you’ve been waiting for…Yossi & Jagger 2?



Ohad Knoller & Oz Zehavi in Yossi

Yossi

Time Investment: 83 min.
Return on Investment: 48 min.

In the unlikeliest of sequels since Fantasia 2000, director Eytan Fox revisits the surviving member of the loving couple depicted in 2003’s heartbreaking Israeli military love story Yossi & Jagger, in the aptly titled Yossi. Ohad Knoller reprises the role, and the years (and weight) are apparent on him. Now, as a workaholic doctor in Tel Aviv, Yossi neglects entire parts of his life, preferring to grieve the love he lost and occasionally pleasure himself in any way he can (cue a porn cameo of Michael Lucas’s Men of Israel as well as Atraf, considered the Israeli version of Manhunt).

Yossi deals with some pretty basic closet stuff, and when he inevitably meets the man who is going to ‘change everything’—a horny young soldier played by Oz Zehavi—the film turns into a sad sack love story that never quite justifies why the young man is so taken with Yossi in the first place.

Featuring the busiest actor working in Israeli film today, the rugged Lior Ashkenazi (from the excellent Walk on Water, Rabies and last year’s Oscar-nominated Footnote) as a fun-loving hospital co-worker, Yossi could be regarded as an interesting portrait of an emerging gay man who doesn’t feel good about his body, but ultimately the film is hobbled by an incredibly loose, weak ending.

Visit TribecaFilmFestival.com for more info.

DH

April 27, 2012
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Tribeca Film Festival: Jack & Diane

by on Apr.30, 2012, under Film, Gay, New York, Review

Note: This lesbian love story has nothing to do with the John Mellencamp song of the same name.

Juno Temple & Riley Keough in Jack & Diane

Jack & Diane

Time Investment: 110 min.
Return on Investment: 41 min.

Light on dialog and with a spare cast, Jack & Diane at first feels like a refreshing albeit awkward tale of über-young lesbian love in summertime New York, but soon devolves into an overly symbolic, messy take on youth in general. Weird stop-motion interludes, which are meant to punctuate the story and herald a frightening (and also heavily metaphorical) transformation, end up just being cause for a lot of head-scratching. The director wants to show us that falling in love for the first time is monstrously scary, but throwing in an actual scary monster is jarring as opposed to poetic.

Half of the couple in question is played by the irksome Juno Temple, whose only real appeal as Diane is that she is very very young with a cutesy British accent, while opposite her Riley Keough (Elvis’ granddaughter!) does a far better job as Jack, a brooding and sexy tomboy who finds it increasingly difficult to hide her emotional vulnerability.

Kookiness aside, Jack & Diane does revel in the simple joy of watching two young lesbians in love eating sushi with ketchup (let that metaphor not be lost upon us either), and Keough, last seen in The Runaways, maintains our interest throughout. If only the rest of the film weren’t so wishy-washy.

Rounding out the cast is Adaptation’s Cara Seymour as Diane’s frazzled aunt, and then all of a sudden, there’s Kylie Minogue in a super sexual cameo. Don’t forget: she did get her start as an actress on the Australian soap Neighbours!

DH

April 30, 2012
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Tribeca Film Festival: Any Day Now

by on Apr.27, 2012, under Film, Gay, New York, Review

It was only a matter of time before Alan Cumming was going to give us full-on 1970s drag.

Any Day Now

Time Investment: 97 min.
Return on Investment: 59 min.

It was only a matter of time before Alan Cumming was going to give us full-on 1970s drag. In Any Day Now, we get that and so much more: As Rudy Donatello, Cumming’s insanely thick long hair and quasi-New Yawk accent—and especially his agonizingly slow, belted versions of ’70s disco classics when out of drag—end up making the character garish and roughly drawn. Sadly, it pulls focus away from the heart of this story, about a straight-talkin’ drag queen who, with the help of his closeted lawyer lover Paul (the benign Garrett Dillahunt), eventually comes to care for the mentally handicapped son (Isaac Leyva) of his drug-addicted, negligent neighbor. And it’s a shame, since the film, based on actual events from over 30 years ago, has the potential to reverberate on so many levels, both then and now: issues such as adoption, gay rights, drug addiction, treatment of mentally handicapped individuals and more.

Aside from Cumming’s shenanigans (be prepared for a painful, almost acapella version of “Come To Me”), it’s difficult to tell why Paul suddenly chooses this moment to explore his homosexuality, or why he is so drawn to Rudy. Their chemistry isn’t nearly powerful enough to catalyze anything. Paul’s coming-out arc feels very contrived and unoriginal. For example, when his evil narrow-minded boss invites them over and looks at Paul and his frou-frou “cousin” Rudy with evil narrow-minded disgust, the writing on the wall is all too clear: Yes, Paul will lose his job. Yes, they won’t be able to keep Marco (the sensitive and bright Leyva). Yes, people treat those with disabilities in abhorrent manners (a doctor here saying, “He’s never going to go to college, or get a job or leave home on his own.”) And yes, society clearly wasn’t (and still isn’t, in most places) ready to let two men freely raise a child. Although simplistic, Any Day Now does pack a powerful, timely and ultimately heartbreaking message.

On a side note, it’s a pleasure to see Titanic’s Frances Fisher in a great cameo as a judge who won’t take any of Rudy’s shit. Neither could I.

— DH

Visit TribecaFilmFestival.com for more info.

April 27, 2012
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